Images for the History of Communication: The First Engravings from the Americas

Abstract

The purpose of this work is to make an in-depth study of the image as a form of representation of the reality which reflects history in a unique way, and to discuss the different factors that may have impact on the correlation between reality and its representation by an image. For that purpose, the first engravings circulated in Europe of American natives will be used as an example, to determine their characteristics, and their authors. The study demonstrates how the images are determined by the interpretations, beliefs and previous knowledge of the artists or publishers of the 92 studied images, none of whom had direct knowledge of the American reality.

Share and Cite:

Ramírez-Alvarado, M. (2015) Images for the History of Communication: The First Engravings from the Americas. Advances in Historical Studies, 4, 51-64. doi: 10.4236/ahs.2015.41006.

Conflicts of Interest

The authors declare no conflicts of interest.

References

[1] Benzoni, G. (1989). Historia del Nuevo Mundo (History of the New World). Madrid: Alianza Editorial.
[2] Bry, T. de (1992). América (1590-1634). Teodoro de Bry. Madrid: Ediciones Siruela.
[3] Burke, P. (1991). La cultura popular en la Europa Moderna (Popular Culture in Modern Europe). Madrid: Alianza Editorial.
[4] Carvajal, G. de (1986). “Relación que escribió Fr. Gaspar de Carvajal, fraile de la Orden de Santo Domingo de Guzmán, del nuevo descubrimiento del famoso río grande que descubrió” (Story written by Fr. Gaspar de Carvajal, brother of theOrder of Santo Domingo de Guzman, about the new discovery of the Famous Large River That He Discovered). La aventura del Amazonas (The Adventure of the Amazonas). Madrid: Historia 16.
[5] Castellanos, J. de (1847). Elegías de varones ilustres de Indias (Elegies of the Illustrious Men of the Indies). Madrid: Biblioteca de Autores Españoles.
[6] Cieza de León, P. (1984). La crónica del Perú (The Chronicle of Peru). Madrid: Historia 16.
[7] Colón, C. (1985). Diario. Relaciones de viaje (Journal. Account of the Voyage). Madrid: Sarpe.
[8] Colón, C. (1989). Cristóbal Colón. Textos y documentos completes (Christopher Columbus. Complete Texts and Documents). Madrid: Alianza Editorial.
[9] Esteban Llorente, J. F. (1990). Tratado de Iconografía (Treatise on Iconography). Madrid: Istmo.
[10] Federmann, N. (1986). Viaje a las Indias del Mar Océano (Voyage to the Indies of the Ocean Sea). Caracas: Editorial Arte.
[11] Fernández de Oviedo y Valdés, G. (1851). Historia general y natural de las Indias, islas y tierra-firme del Mar Océano (General and Natural History of the Indies, Islands and Mainland of the Ocean Sea). Madrid: Real Academia de la Historia.
[12] García Sáez, M. C. (1990). La imagen del indio en el arte español del Siglo de Oro (The Image of the Indian in the Spanish Art of the Golden Age). La imagen del indio en la Europa Moderna (The Image of the Indian in Modern Europe). Seville: School of Hispano-American Studies.
[13] Honour, H. (1975). The European Vision of America. Cleveland: Cleveland Museum of Art.
[14] Kappler, C. (1986). Monstruos, demonios y maravillas a fines de la Edad Media (Monsters, Demons and Marvels at the End of the Middle Ages). Madrid: Akal.
[15] Léry, J. de (1961). Viagem à Terra do Brasil (Voyage to the Land of Brazil). Rio de Janeiro: Biblioteca do Exército Editora.
[16] López de Gomara, F. (1984). Historia general de las Indias y vida de Hernán Cortés (General History of the Indies and Life of Hernán Cortés). Caracas: Biblioteca Ayacucho.
[17] Panofsky, E. (1987). El significado en las artes visuals (Meaning in the Visual Arts). Madrid: Alianza Editorial.
[18] Montaige, M. de (1965). Les essais. Paris: PUF.
[19] Perera, M. A. (1993). La mirada perdida. Etnohistoria y antropología americana del siglo XVI (The Lost View. American Ethno-History and Anthropology of the 16th Century). Caracas: Monte ávila Editors.
[20] Paul III, P. (1537). Sublimis Deus. www.papalencyclicals.net/Paul03/p3subli.htm
[21] Ripa, C. (1603). Iconología overo descripttione de diverse imagini (Iconology or Descriptions of Various Images). Rome: Appresso Lepido Facii.
[22] Staden, H. (1944). Vera historia y descripcion de unpais de las salvages desnudas feroces gentes devoradoras de hombres sitado en el Nuevo mundo America (True History of a Country of Naked Ferocious Man-Eating People Situated in the New World America). Buenos Aires: Faculty of Philosophy and Ethnographic Museum.
[23] Thevet, A. (1982). Les Singularités de la France Antarctique (The Singularities of the Antarctic France). Paris: Les Temps.
[24] Vespucci, A. (1986). Cartas de viaje (Voyage Letters). Madrid: Alianza.

Copyright © 2023 by authors and Scientific Research Publishing Inc.

Creative Commons License

This work and the related PDF file are licensed under a Creative Commons Attribution 4.0 International License.