has been cited by the following article(s):
[1]
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Arts Organizations Engaging Audiences Through Street Art
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2020 |
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[2]
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Transcending and Subverting Boundaries: Understanding the Dynamics of Street Art Scene in Nepal
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2019 |
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[3]
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The role of street art in state-led gentrification: case study on Mural Istanbul
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2019 |
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[4]
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Facets of Graffiti Art and Street Art Documentation Online: A Domain and Content Analysis
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ProQuest Dissertations Publishing,
2018 |
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[5]
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Street art as everyday counterterrorism? The Norwegian art community's reaction to the 22 July 2011 attacks
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Cooperation and Conflict,
2018 |
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[6]
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Design in Society
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2018 |
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[7]
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A Review on Graffiti Phenomenon: A Study around Jakarta Indonesia
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2017 |
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[8]
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Graffiti as a communication tool in public space: the case of Beyoğlu, Yüksek Kaldırım Street Kamusal mekânda iletişim aracı olarak grafiti: Beyoğlu, Yüksek Kaldırım …
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2017 |
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[9]
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Graffiti as a communication tool in public space: the case of Beyoğlu, Yüksek Kaldırım Street Kamusal mekânda iletişim aracı olarak grafiti: Beyoğlu, Yüksek Kaldırım …
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2017 |
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[10]
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Public Art Interventions in Northern Cyprus: Communication and Interaction in Disconnected Communities
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2017 |
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[11]
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Cultural heritage: time for street art agents
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Conference Paper,
2016 |
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[12]
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Creativity and Deviancy: A Sliding Scale between Markets, Movements and Madness
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2016 |
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[13]
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Resistance on the walls, reclaiming public space: Street art in times of political turmoil in Turkey
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Interactions: Studies in Communication & Culture,
2014 |
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[14]
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Street Art: contested spaces and contestation through (Public) Spaces
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2013 |
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[15]
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Street Art, a new art movement or vandalism?
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2013 |
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[16]
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CRIMINOLOGICAL IMAGINATION
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[17]
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About this free course About this free course
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[1]
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Intersections of Contemporary Art, Anthropology and Art History in South Asia
2019
DOI:10.1007/978-3-030-05852-4_9
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[2]
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Intersections of Contemporary Art, Anthropology and Art History in South Asia
2019
DOI:10.1007/978-3-030-05852-4_9
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[3]
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Intersections of Contemporary Art, Anthropology and Art History in South Asia
2019
DOI:10.1007/978-3-030-05852-4_9
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[4]
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Street art as everyday counterterrorism? The Norwegian art community’s reaction to the 22 July 2011 attacks
Cooperation and Conflict,
2018
DOI:10.1177/0010836718807502
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