The Production of the Myth of “Sister Phoenix”: From the Perspective of Discourse Analysis
Jin Zhang
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DOI: 10.4236/ojml.2011.11002   PDF    HTML     5,731 Downloads   9,940 Views  

Abstract

The analytical paper mainly deals with the questions how the image of Sister Phoenix, one of the most “popular” ugly stars in China is narrated, and how it is reconstructed and circulated by the media. In the paper, the author utilize multiple analytical devices, such as Gee’s seven building tasks (2010), Bahktin’s dialogical processes, Fairclough’s (2003) approaches to critical discourse analysis and Couldry’s (2010) theories about media discourse. The aim of the paper is not only to explore the reason why her self-narration is destined to attract the interest of the media and the modern Chinese society but also aims at seeking how the media constantly helps producing new categories of life in front of the audience.

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Zhang, J. (2011). The Production of the Myth of “Sister Phoenix”: From the Perspective of Discourse Analysis. Open Journal of Modern Linguistics, 1, 9-12. doi: 10.4236/ojml.2011.11002.

Conflicts of Interest

The authors declare no conflicts of interest.

References

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[5] Fairclough, N. (2003). Analysing discourse. New York, NY: Routledge.
[6] Gee, J. (2010). An Introduction to discourse analysis. New York, NY: Routledge.
[7] Graham, P. (2010). Public space, common goods, and private interests: Emergent definitions in globally mediated humanity. In R. Wodak, & V. Koller (Eds.), Handbook of communication in the public sphere (pp. 45-66). Berlin, New York: Mouton de Gruy-ter.
[8] Langer, J. (1998). Tabloid television. London: Rout-ledge.
[9] Wortham, S. (2001). Narratives in action (Ch. 2-4). New York, NY: Teachers College.

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