ABSTRACT
In his The Fetishists, Ibrāhīm al-Kōnī uses Ṣūfī themes, motifs, language and symbols to present the legendary epic thought of the nature of life in the desert where he lived in his childhood and youth. His goal is to ask questions about the meaning of existence, human adventure, destiny, power and civilization through using the world of the Tuareg as an imaginary source of fiction. Al-Kōnī depicts the elements of the desert world, as if it were a mystical redeemer, with which he unites to reach the ultimate universal truth. What energizes the Ṣūfī context in the novel is the vital presence of Ṣūfī characters—dervishes, wanderers, disciples, saints and the various conflicts inflamed amongst individuals, groups, communities, philosophies, and cultures and between man and nature represented by the desert, sands, winds and droughts. Furthermore, in the manner of the Ṣūfī thinking, al-Kōnī manages to grant a living spirit to every element present in the desert, human and non-human, and animate and non-animate. All share in the construction of the soul of the world to attain through joint prayers the great universal truth of God. That is a major ingredient that goes into the fabric of Ṣūfī philosophy.