Coker, J., Casale, J., & Campbell, G. (1982). Patterns for Jazz—A Theory Text for Jazz Composition and Improvisation. Los Angeles, CA: Alfred Publishing Co. Inc.

has been cited by the following article:

• TITLE: The Art of Improvising: The Be-Bop Language and the Dominant Seventh Chords

  AUTHORS: Carmine Cataldo

  KEYWORDS: Jazz Improvisation, Be-Bop, Fast Learning, Triads, Dominant Seventh Chords

  JOURNAL NAME: Art and Design Review, Vol.5 No.3, August 14, 2017

  ABSTRACT: The aim of this article lies fundamentally in illustrating the first part of a simple and intuitive method, finalized to “speaking” the Be-Bop language immediately, without possessing any jazz background whatsoever. The main peculiarity of the method consists in the fact that the attention of the improviser is always focused on Triads. We herein exclusively discuss the improvisation techniques regarding the dominant seventh chords. Starting from a specific extended “sentence”, built around the Major Triad, we show how to instantly deduce further sentences, how to modify them, by cutting and adding “words”, and how to effectively combine them.