|
[1]
|
Asutay, E., & V?stfj?ll, D. (2012). Perception of loudness is influenced by emotion. PLoS ONE, 7, e38660.
doi:10.1371/journal.pone.0038660
|
|
[2]
|
Asutay, E., V?stfj?ll, D., Tajadura-Jimenez, A., Genell, A., Bergman, P., & Kleiner, M. (2012). Emoacoustics: A study of the psychoacoustical and psychological dimensions of emotional sound design. Journal of the Audio Engineering Society, 60, 21-28.
|
|
[3]
|
Ballas, J. A. (1993). Common factors in the identification of an assort- ment of brief everyday sounds. Journal of Experimental Psychology: Human Perception and Performance, 19, 250-267.doi:10.1037/0096-1523.19.2.250
|
|
[4]
|
Berglund, B., Hassmén, P., & Preis, A. (2002). Annoyance and spectral contrast are cues for similarity and preference of sounds. Journal of Sound and Vibration, 250, 53-64. doi:10.1006/jsvi.2001.3889
|
|
[5]
|
Berglund, B., & Lindvall, T. (1995). Community noise. Archives of the Center for Sensory Research, 2. Stockholm: Stockholm University.
|
|
[6]
|
Bj?rk, E. A. (1985). The perceived quality of natural sounds. Acustica, 57, 185-188.
|
|
[7]
|
Bradley, M. M., & Lang, P. J. (2000). Affective reactions to acoustic stimuli. Psychophysiology, 37, 204-215.
doi:10.1111/1469-8986.3720204
|
|
[8]
|
Desmet, P. (2002). Designing emotions. Delft: Delft University of Technology.
|
|
[9]
|
Juslin, P. N., & V?stfj?ll, D. (2008). Emotional responses to music: The need to consider underlying mechanisms. Behavioral Brain Science, 31, 559-621.
|
|
[10]
|
Norman, D. A. (2002). Emotion and design: Attractive things work better. Interactions Magazine, 9, 36-42.
|
|
[11]
|
Picard, R. (1997). Affective computing. Cambridge: MIT Press.
|
|
[12]
|
Solomon, L. N. (1958). Semantic approach to the perception of com- plex sounds. Journal of the Acoustical Society of America, 30, 421- 425. doi:10.1121/1.1909632
|
|
[13]
|
Stevenson, R. A., & James, T. W. (2008). Affective auditory stimuli: Characterization of the International Affective Digitized Sounds (IADS) by discrete emotional categories. Behavior Research Methods, 40, 315-321. doi:10.3758/BRM.40.1.315
|
|
[14]
|
Tajadura, A., & V?stfj?ll, D. (2008). Auditory induced-emotion: A neglected channel for communication in HCI. In Affect and Emotion in HCI. In C. Peter, & B. Russell (Eds.), Berlin: Springer Verlag.doi:10.1007/978-3-540-85099-1_6
|
|
[15]
|
Tajadura-Jimenez, A., V?ljam?e, A., Asutay, E., & V?stfj?ll, D. (2010). Embodied auditory perception: The emotional Impact of approaching and receding sound sources. Emotion, 10, 216-229. doi:10.1037/a0018422
|
|
[16]
|
Tajadura-Jimenez, A., Larsson, P., V?ljam?e, A., V?stfj?ll, D., & Kleiner, M. (2010). The influence of auditory space on emotional response to sounds. Emotion.
|
|
[17]
|
Todd, N. (2001). Evidence for a behavioral significance of saccular acoustic sensitivity in humans. Journal of the Acoustical Society of America, 110, 380-390. doi:10.1121/1.1373662
|
|
[18]
|
V?stfj?ll, D. (2002). Emotion induction through music: A review of the musical mood induction procedure. Musicae Scientiae, 6, 171-203.
|
|
[19]
|
V?stfj?ll, D., & G?rling, T. (2007). Validation of short self-report measure of core affect. Scandinavian Journal of Psychology, 48, 233-238. doi:10.1111/j.1467-9450.2007.00595.x
|
|
[20]
|
V?stfj?ll, D., Gulbol, M.-A., Kleiner, M., & G?rling, T. (2002). Affective reactions to-and evaluations of interior and exterior vehicle auditory quality. Journal of Sound and Vibration, 255, 501-518.
doi:10.1006/jsvi.2001.4166
|
|
[21]
|
V?stfj?ll, D., Friman, M., G?rling, T., & Kleiner, M. (2002). The meas- urement of core affect: A Swedish self-report measure. Scandinavian Journal of Psychology, 43, 19-32. doi:10.1111/1467-9450.00265
|
|
[22]
|
Vitz, P. C. (1973). Preference for tones as a function of frequency and intensity. Perception and Psychophysics, 11, 84-88.
doi:10.3758/BF03212689
|
|
[23]
|
Wundt, W. (1924). An introduction to psychology. London: Allen & Unwin.
|
|
[24]
|
Zwicker, E., & Fastl, H. (1999). Psychoacoustics—Facts and models. (2nd ed.). Heidelberg: Springer-Verlag.
|