A Study on Chinese-English Translation of International Publicity of the Northern Shaanxi Tourism in China from the Perspective of Reception Aesthetics

The Chinese-English translation of China’s Northern Shaanxi tourism international publicity has some problems that need to discuss, which brought certain negative effects on the development of Tourism in Northern Shaanxi. From the perspective of reception aesthetics, considered comprehension and perception of foreign tourists, the current version of international publicity translation should make some modifications. As a consequence, the translation version should guide foreign tourists to understand the geographical condition and historic culture of scenic spots so as to seek the correct translation version to widely spread tourism in the Northern Shaanxi of China.

portant means and main direction for China to promote the economic development of countries around the world. The "13th Five-Year Plan" development goal of Shaanxi's tourism industry is to build Shaanxi into an internationally renowned and domestic first-class tourist destination by 2020. Although Shaanxi Province issued the Guidelines for English Translations in Public Places-Part 2: Tourism in 2011, the names of some tourist attractions were standardized. However, recently the author has ever traveled to some historic spots in the Northern Shaanxi and done some investigation to find that there are a large number of language errors, cultural misunderstandings and pragmatic mistakes in international publicity translation on tourism in some scenic spots in the Northern Shaanxi. The translation of Shaanxi's tourism international publicity is inaccurate, which has blocked the development of Shaanxi's tourism industry. The author sorted out sentences that have obvious errors or improper translations.
Taking full account of the comprehension and perception of foreign tourists, the problems in the translation of tourism international publicity in the Northern Shaanxi were taken as examples in this article so as to explore the enlightenment on the Chinese-English translation of tourism international publicity guided by reception aesthetics.

Reception Aesthetics
Reception aesthetics, also called reception theory, originated from a literary criticism theory in the 1950s. H. R. Jauss and W. Iser are the representatives of reception aesthetics. "Expectation horizon" is an important theory in Jauss' reception aesthetics. "Expectation horizon" is the prerequisite for readers to understand the positions, viewpoints and methods of works (Jauss & Holub, 1987). Different from Jauss, Iser paid special attention to "reception-response". He emphasized the relationship between readers and works in reading and reading activities, and the interaction between works and readers in reading activities.
The meaning is also produced from the reading process (Zhao, 2017).
Reception aesthetics mainly expounds the relationship among authors, texts and readers, transforming the "author-centered theory" in the past literary theory into "reader-centered theory". Taking the relationship between texts and readers as the center of literary research, reception aesthetics emphasizes readers' acceptance and understanding of texts (Qiu, 2012).
The translation of tourism international publicity is used to convey information to attract tourists. In the translation practice of tourism texts, translators must consider the acceptance of the language, culture, and pragmatics of target texts for foreign tourists. An inspiration that can be gained from the reception aesthetics in the translation of tourism international publicity is: changing perspectives, converting the focus of translation research into foreign tourists. Under the guidance of reception aesthetics, through the analysis of language misconception, cultural confusion and pragmatic mistakes in the tourism international publicity in the Northern Shaanxi, it can be found some problems, such as the

Current Status of International Publicity Translation in the Northern Shaanxi
Shaanxi is a major touring province in China. In recent years, with the introduction of the Belt and Road Initiative, the provincial capital city Xi'an has attracted more and more tourists. . This is on the one hand due to the tourism policy of China, on the other hand is the result of the regional and historical status of Yan'an in China. In order to attract more foreign tourists to travel the Northern Shaanxi, the translation quality of tourism international publicity for each scenic spot should be improved.
Wen Jun summed up six major categories of tourism translation errors, including misspelling errors, grammatical errors, Chinglish, improper wording, language cumbersome, and cultural misunderstandings (Wen et al., 2002). Jia Wenbo attributed these six categories of errors to the bad habit of "Translation assimilated by the Chinese language". The root of this bad habit is that the translator ignores the cultural differences between Chinese and English, as well as the cultural psychology and aesthetic habits of the target readers (Jia, 2003).
The author sorted out three problems in the translation of tourism international publicity in the Northern Shaanxi: language misconception, cultural confusion and pragmatic mistakes, which have caused some negative effects on the development of tourism in the Northern Shaanxi. The author analyzed the above-mentioned errors with specific examples based on the reception theory, and gives the corresponding suggestions for modification. Comparing the source and the target texts, it can be easily seen that there are two mistakes in the target text. Firstly, the ingredients of the sentence are incomplete. If the part after the comma in "Hongshi Valley, also called Wenpan Valley" is regarded as an apposition, then the sentence lacks the predicate verb.

Language Errors
Secondly, there is an omission. The target text missed the translation of "华夏第 一奇峡", which is a specific evaluation of Hongshi Valley. Can "华夏第一奇峡" be literally translated into "the most strange valley in China"? Of course not. The word "奇" means "good or wonderful" here, so it is more appropriate to translate it as "outstanding". Because the low-key statements are often used in English, so the exaggerated modification of "第一" can be omitted directly. Therefore, the first sentence can be modified to "Hongshi Valley, a Chinese outstanding valley, is also called Wenpan Valley".
There is a grammatical error in the translation of the second sentence. "2000 m in length 68 in depth. One-way scenic spot" are not complete sentences. Corresponding to international English standards, English sentences usually have a "subject-predicate" structure. Therefore, the author proposes to add a predicate First of all, 4 verbs are used consecutively in the first sentence of the target text. The sentence is too long with too much information. It can be seen that the translator translated the sentence word by word according to the Chinese expression, which may make foreign tourists confused. For example, "建成并正式 放水" was translated into "was finished and put to use". Actually in English, "was finished" can be omitted. "建成并正式放水" can directly be translated as "put to use". It can also reduce verbs by transforming parts of speech. It is rec- In addition, in the source text, "亩" is directly translated as "mu". "亩" is a Chinese municipal land area unit, which is not universal in the world. Foreign tourists may not understand "mu". Therefore, it is necessary to add the international common unit "hectares" in brackets. For example, the second part of Case 2 should be modified as "It was 6 km long and could irrigate farmland of 1400 mu (93.33 ha) of 5 villages around Zaoyuan, on completion. Non-irrigate farmland became irrigated and harvest was good since then. Therefore, locals called it Canal of Happiness (or Xingfu Canal)".
Language errors do not seem to have much impact on foreign tourists' understanding of the full text, but they can reveal the translator's ability and attitude when translating. These language errors will leave bad impression of Shaanxi on foreign tourists, hinder the development of Shaanxi tourism, and ultimately may damage the image of the whole country. Such language errors cannot be ignored.
As long as the translator regards translates and proofreads seriously, these language errors can be completely avoided.

Cultural Errors
There are often historical events, allusions of characters, myths and legends, famous sayings and other content in tourism international publicity. Such information generally exists in the cognitive context of domestic tourists. They will understand the connotation at a glance, but it is unfamiliar to foreign tourists.
After reading it, they are often confused and incomprehensible. Therefore, it is necessary to grasp the initiative of the reader in translation, so that the translator and the reader can merge with each other in view (Hong, 2006). In this way, they require translators to use concise and clear language to supplement the cultural connotation contained in the publicity text through annotations. lish-Chinese Dictionary (8th edition) means a covered passage with arches around a square garden, usually forming part of a cathedral, convent or monastery. Therefore, the author suggests to transliterate "走马楼" first, and add a note, for example "Zoumalou (an ancient building in China, which has corridors in all sides)". "紫微垣" is also not translated, either. It is not enough to just transliterate "Ziweiyuan". Foreign tourists do not know that "Ziwei" belongs to the ancient Chinese astronomy, so it is recommended to translate "紫微垣" as "Ziweiyuan (its location is close to circumpolar region according to the ancient Chinese astronomy and constellations)". Therefore, the whole sentence of Case 3 should be modified as: as a two-storey Zoumalou (an ancient building in China, which has corridors in all sides), it was built during the reign of Emperor Wanli in Ming Dynasty (A.D.1572-1620). Originally, "Wenchang" represented the six stars in Ziweiyuan (its location is close to circumpolar region according to the ancient Chinese astronomy and constellations), and the ancients regarded them as the Holy Stars.
The paraphrase briefly explains the meaning of culture-loaded words in the source language, which not only preserves the cultural characteristics of Chinese, but also introduces Chinese customs to English readers (Zhang, 2020). Transliteration is one of the most common methods for translating culture-loaded words (Zheng, 2016). However, using only transliteration often makes it difficult for foreign tourists to understand, so paraphrases can better help them understand Chinese culture. The translator decides whether to use literal translation, free translation, paraphrase or transliteration in translating culture-loaded words.
Considering the degrees of foreign tourists' understanding of Chinese culture, the word should be interpreted when translating culture-loaded words. With the spread of Chinese culture to the outside world, transliteration of culturally loaded words should be taken into account when translating culture-loaded words. In summary, the author believes that the transliteration plus paraphrase is the most appropriate method for translating culture-loaded words.

Pragmatic Errors
In recent years, due to the development of the cities along the route of One Belt Foreign tourists are more sensitive to these words, such as Anti-Japanese, which may cause misunderstandings. It is recommended to modify it to the neutral words, such as "resistance against Japan" or "against Japanese aggression/invasion". This kind of translation error may cause communication barriers, and in some serious situations, it may also cause certain conflict issues, such as ethnic and religious problems, which will eventually damage the image of the country.
Tourism international publicity translation must cross the historical and cultural differences of multiple nationalities and grasp different national psychology (Jia, 2003). If the principle of "keeping domestic information from foreigners" is not followed before translation, and the original text is not filtered and translate the whole passage, it may cause pragmatic errors (Thomas, 1983). The main purpose of domestic tourists travelling to the red scenic spots is mainly for the revolutionary education. Chinese introduction pays more attention to the inspiring function; while foreign tourists come to China to visit the Red Tourism scenic spots mainly for learning about China's history and culture. English introduction should focus more on the informative function of the text (Tian, 2016).
In the Red Tourism spots, there are many translations with revolutionary education like "hold high the banner of patriotism to stuck the strategy (高举爱 国主义旗帜)" and "great victory (伟大胜利)", which are not suitable for tourism international publicity. The main purpose of foreign tourists visiting the Red Tourism scenic spots is to know the historical events and stories, not to receive the education of the Chinese revolution. Therefore, in the process of Chinese-English translation of the introduction of Red Tourism scenic spots, the translator should consider the purpose and interest of foreign tourists to visit the Red Tourism scenic spots, strengthening the transmission of historical information and diluting political preaching (Liao & Yang, 2009). Therefore, the translator can make translation of selected passage when necessary. The author suggests to modify Case 4 as "Here, the Military Committee of the Party Central Committee and Headquarters of the 8th Route Army led the army and people of the Shaanxi-Gansu-Ningxia Border Area and other base area to won the resis-

Conclusion
The Northern Shaanxi Region is rich in tourism resources, with numerous natural and cultural landscapes, as well as the unique Red Tourism scenic spots.
Applying reception aesthetics to the translation, the translator should comprehensively consider the reading habits and acceptance of foreign tourists. When translating the tourism international publicity of Northern Shaanxi with rich content and unique aesthetic characteristics, the translator should try their best to keep Chinese cultural information in the source text and promote Chinese culture as much as possible. It is not necessary to translate word by word according to the Chinese expression. For culture-loaded words, the transliteration plus paraphrase can be adopted.
The English translations of the above three types of tourism international publicity in Northern Shaanxi reflect not only superficial problems, but also deep-seated reasons. The author summarizes that from the perspective of the translator, it can be divided into two points. The first point is the attitude of the translator. Many simple language errors can be found in the review and avoided in draft. The second point is the ability of the translator. The translator's inadequate language ability leads to Chinglish and inaccurate word selection. Some translators even lack the cultural knowledge of their own country, let alone convey the cultural image of their own country.