has been cited by the following article(s):
[1]
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Mosques to Marketplaces: Understanding and Explaining the Perceptions of the Significance of Music within Various Sociocultural Contexts in Senegal
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2022 |
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[2]
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A Computational Music Theory of Everything: Dream or Project?
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Handbook of the Mathematics of the Arts and Sciences,
2021 |
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[3]
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Music education as a pathway to social justice
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2021 |
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[4]
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Making Musical Time
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2021 |
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[5]
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The Dynamic Dialectic and the Eclectic Plaintive Rhythm in Bembeya Jazz's, Black Beats Music
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2021 |
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[6]
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Impact of Music on Working Memory in Rwanda
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2020 |
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[7]
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The Future of Music: Towards a Computational Musical Theory of Everything
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2020 |
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[8]
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The Future of Music
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2020 |
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[9]
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Music in selected play productions of Wole Soyinka and Femi Osofisan
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2020 |
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[10]
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Documenting distinctive features of 'Keku'dance ensemble of the Jukun nation of the sub-Saharan Africa
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2020 |
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[11]
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COLLEGE OF HUMANITIES
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2020 |
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[12]
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The psychological healing and unifying aspects of struggle songs: perspectives of ex-members of uMkhonto we Sizwe based in Pietermaritzburg, KwaZulu Natal.
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2020 |
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[13]
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Investigating the emotions evoked within student activists when singing struggle songs: a study of student protests at the University of KwaZulu-Natal.
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2019 |
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[14]
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The geometry of musical rhythm: What makes a" good" rhythm good?
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2019 |
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[15]
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The role of Christian music in identity construction among black South Africans and diasporic Nigerians and Congolese in Durban, South Africa.
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2019 |
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[16]
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ComMute—Towards a Computational Musical Theory of Everything
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2019 |
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[17]
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The Societal Value of Art and Music in the Bapedi Culture and the Implications for Music in Healing as a Cultural Phenomenon
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2019 |
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[18]
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A Framework for Synthesis of Musical Training Examples for Polyphonic Instrument Recognition
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2018 |
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[19]
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African Rhythm as the Foundation of Contemporary Bass Performance
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2018 |
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[20]
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South African popular music of the 1980's and the role of the Graceland Project: A case of International (USA-RSA) collaboration and co-production
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2018 |
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[21]
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Brecht in pidgin: Oladipo Agboluaje's mother courage in Africa
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2018 |
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[22]
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Music, Social Change and Social Process among the Yoruba in Southwest Nigeria: A Theoretical Discourse
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UNIUYO Journal of Humanities (UUJH),
2018 |
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[23]
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Re-imagining Bertolt Brecht, redefining British Theatre: Oladipo Agboluaje's Mother Courage
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2016 |
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[24]
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Music in the spaces of the 21st century
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2016 |
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[25]
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Quantifying Musical Meter: How Similar are African and Western Rhythm?
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Analytical Approaches to World Music,
2015 |
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[26]
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ARTISTIC ELEMENTS IN THE FESTIVALS OF THE EFFUTUS-GHANA
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2015 |
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[27]
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On the Question of Meter in African Rhythm: A Quantitative Mathematical Assessment
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Proceedings of Bridges 2013: Mathematics, Music, Art, Architecture, Culture. Tessellations Publishing,
2013 |
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